Daily Images of Chaotic Events 10, by <a href="https://theamplificationproject.com/items/browse?search=Nagy&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=&advanced%5B0%5D%5Btype%5D=&advanced%5B0%5D%5Bterms%5D=&range=&collection=&type=&user=&tags=&public=&featured=&geolocation-mapped=&geolocation-address=&geolocation-latitude=&geolocation-longitude=&geolocation-radius=10&exhibit=&submit_search=Search+for+items&sort_field=Dublin+Core%2CCreator&sort_dir=d" target="_blank" rel="noreferrer noopener">Ahmed Nagy</a> (Egypt)
Ahmed Nagy’s series, Daily Images of Chaotic Events, was created in response to poetic theatre texts written by Habibah Sheikh, a nomadic performance artist originally from Lebanon, and the curator of the Mitli Mitlak exhibition. In the text, a character named Ruba experiences the destruction of war firsthand and becomes a refugee in the process.
The series is based on pictures Nagy took with a cell phone, in the street during the Egyptian revolution. Daily Images of Chaotic Events is a cell phone capturing the Egyptian revolution. “I utilize what was happening in Egypt, and apply it as a formula to make artworks. In Egypt, what happened was fighting in the street. Through my artwork, I don’t have political say. The art itself is a great political action. When I am inspired by the streets I create something new," says Nagy.
In Act 1, Scene 2, Mitli Mitlak (Like You, Like Me), this series of photos depicts the view from the window of a young couple’s apartment during war. Much like Nagy, the couple in Mitli Mitlak are poetic young artists who apply their own experiences during the war in the hopes that their art will enable truth to shine through the cracks of every day chaotic reality:
Act 1, Scene 2, Mitli Mitlak (Like You, Like Me)
Carlos: as the disappearance of reality...when there is no ruling body...the disappearance of our objectified self because ...the nonexistent social field. Our subjectivity is all there is...We collide in time. A deep meaning can arise when society is broken by war.
Ruba: (singing) Reality is not functioning. There is no social field. Watermoon. Thoughts in silence. Ideas of collective memories, global thinking overviews. Points of view. Watermoon. In my mind..on opaque screen...horizontality explained by the sea; writing on the water. In my dream, the sky is lit, the meaning of being..what is it?! Creation and destruction hand in hand. Watermoon. The Theory of Chaos, How to become the butterfly of yourself?
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Ca+href%3D%22https%3A%2F%2Ftheamplificationproject.com%2Fitems%2Fbrowse%3Fsearch%3DNagy%26amp%3Badvanced%255B0%255D%255Bjoiner%255D%3Dand%26amp%3Badvanced%255B0%255D%255Belement_id%255D%3D%26amp%3Badvanced%255B0%255D%255Btype%255D%3D%26amp%3Badvanced%255B0%255D%255Bterms%255D%3D%26amp%3Brange%3D%26amp%3Bcollection%3D%26amp%3Btype%3D%26amp%3Buser%3D%26amp%3Btags%3D%26amp%3Bpublic%3D%26amp%3Bfeatured%3D%26amp%3Bgeolocation-mapped%3D%26amp%3Bgeolocation-address%3D%26amp%3Bgeolocation-latitude%3D%26amp%3Bgeolocation-longitude%3D%26amp%3Bgeolocation-radius%3D10%26amp%3Bexhibit%3D%26amp%3Bsubmit_search%3DSearch%2Bfor%2Bitems%26amp%3Bsort_field%3DDublin%2BCore%252CCreator%26amp%3Bsort_dir%3Dd%22+target%3D%22_blank%22+rel%3D%22noreferrer+noopener%22%3EAhmed+Nagy+%28Egypt%29%3C%2Fa%3E"><a href="https://theamplificationproject.com/items/browse?search=Nagy&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=&advanced%5B0%5D%5Btype%5D=&advanced%5B0%5D%5Bterms%5D=&range=&collection=&type=&user=&tags=&public=&featured=&geolocation-mapped=&geolocation-address=&geolocation-latitude=&geolocation-longitude=&geolocation-radius=10&exhibit=&submit_search=Search+for+items&sort_field=Dublin+Core%2CCreator&sort_dir=d" target="_blank" rel="noreferrer noopener">Ahmed Nagy (Egypt)</a></a>
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jpeg., 12 x 16
English
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Mandala Project Venice: We Are Humanity, by <a href="https://theamplificationproject.com/search?query=lilli+muller&query_type=keyword&record_types%5B%5D=Item&record_types%5B%5D=File&record_types%5B%5D=Collection&record_types%5B%5D=SimplePagesPage&submit_search=Search" target="_blank" rel="noreferrer noopener">Lilli Muller (Italy)</a>
Image of Mandala Project Venice: We Are Humanity, an immersive installation, works on paper, and videos of the Mandala Project Series.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%3Ca+href%3D%22https%3A%2F%2Ftheamplificationproject.com%2Fsearch%3Fquery%3Dlilli%2Bmuller%26amp%3Bquery_type%3Dkeyword%26amp%3Brecord_types%255B%255D%3DItem%26amp%3Brecord_types%255B%255D%3DFile%26amp%3Brecord_types%255B%255D%3DCollection%26amp%3Brecord_types%255B%255D%3DSimplePagesPage%26amp%3Bsubmit_search%3DSearch%22%3ELilli+Muller%3C%2Fa%3E"><a href="https://theamplificationproject.com/search?query=lilli+muller&query_type=keyword&record_types%5B%5D=Item&record_types%5B%5D=File&record_types%5B%5D=Collection&record_types%5B%5D=SimplePagesPage&submit_search=Search">Lilli Muller</a></a>
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Ashrama - What is your refuge?, by Aashray Harishankar (USA)
Refuge, Installation, Art, CalArts, Sound Art, Tapestry, Projection Art
"Ashrama" is an immersive, multi-disciplinary installation exploring refuge in our daily lives. Through collaboration on immersive surround soundscapes, video, projections, light, art, environment design, sound stories, writing, and many other forms of expression, Aashray connects the varying perspectives on life through a shared desire and need for comfort and security. This video documents the first iteration of "Ashrama", presented at California Institute of the Arts in Los Angeles, CA.
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https://youtu.be/u6u-d-Jkb7s
Aashray Harishankar is a composer, audio engineer, creative director, and keyboardist with musical foundations in Carnatic (South Indian classical) keyboard, media scoring, and electronic music production. With a BA in Music & Technology from Stevens Institute of Technology, and an MFA in Music Performance & Composition at California Institute of the Arts, Aashray has focused his pursuits in the art of sonic exploration and innovation in immersive audiovisual experiences. He has established himself as a pioneer of such technology as the ROLI Seaboard (a keyless keyboard), and has collaborated on a wide variety of works in film, television, animation, dance, music, and art installation. Spurred by his diverse background in the arts and technology, Aashray envisions future projects that will bring together artists and scientists alike to tackle solutions to real-world problems through a combination of creative and technical thinking.
His newest project, “Ashrama”, is an immersive installation piece that explores the idea of refuge and the basic need of all humans to be sheltered and cared for. It explores refuge as it exists in our environment, in people, nature, things, ideas, music, dance, technology, etc. The project explores both the physical and mental need for comfort and shelter from the chaos of the world around us, and aims to open our eyes, ears, hearts, minds, and bodies to the lives of others, to their struggles and refuges. “Ashrama” eventually intends to deliver tangible change to those who are without refuge, whether physical or mental. It aims to not only bring awareness but to support those who are literally or emotionally unhoused, to give them a refuge to re-balance and revitalize their life energy.
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Tapestry Design - Pablo de Larrañaga Aramoni
Centerpiece Design - Charlie Jacobs
Scenic Design - Teresa Piecuch
Scenic Design - Askia Vargas-Toure
Lighting Design - Alejandro Melendez
Choreography - Livya Howard-Yashar
Film - Nehemiah Luciano Stark, Irene Gil Ramon, Lara Kurdoglu, Manuel Inacker</a>';
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YouTube Video
English
Installation Documentation
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=BB3+Soundstage%2C+California+Institute+of+the+Arts%2C+Valencia%2C+CA%2C+USA%2C+4%2F29%2F22+-+5%2F1%2F22">BB3 Soundstage, California Institute of the Arts, Valencia, CA, USA, 4/29/22 - 5/1/22</a>
Nothing is True, Everything Is Possible, by Abbas Yousif (Bahrain)
This work was created in response to poetic theatre texts written by Habibah Sheikh, a nomadic performance artist originally from Lebanon, and the curator of the Mitli Mitlak (Like You, Like Me) exhibition. In the text, a character named Ruba experiences the destruction of war firsthand and becomes a refugee in the process.
This painting represents a scene in Mitli Mitlak (Like You, Like Me). There is a mythical character called ‘Spirit Master’, who separates Ruba’s spirit from her lifeless body, and conducts a soul migration ceremony for her to go to the light in the ‘Out of Life’.
Abbas Yousif’s painting overlaps the below two sentences spoken by the Spirit Master, in painted Arabic letters:
Mitli Mitlak (Like You, Like Me), Act 1 Scene 4
Spirit Master: Nothing Is An Act, But Nothing Is The Truth, Except What Comes After Death. There Is No Such Thing As Facts. Nothing Is True, Everything Is Possible.
-----------------------------------------------------
Abbas Yousif’s multimedia works are made from calligraphy and Arabic alphabet. The Arabic letters are charged with explosive graphic symbols, which are like “spells” and aesthetically abstract. He applies different colors, printing techniques, collage, pastes, huge canvas, zinc etching on zinc, copper and silkscreen in his process.
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=46&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mitli+Mitlak+%28Like+You%2C+Like+Me%29">Mitli Mitlak (Like You, Like Me)</a>
jpeg., 40 x 40 (inches)
English
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The Soul Of Light, by Abbas Yousif (Bahrain)
The Soul of Light was created in response to poetic theatre texts written by Habibah Sheikh, a nomadic performance artist originally from Lebanon, and the curator of the Mitli Mitlak exhibition. In the text, a character named Ruba experiences the destruction of war firsthand and becomes a refugee in the process.
This painting represents a scene in Mitli Mitlak (Like You, Like Me). There is a mythical character called ‘Spirit Master’, who separates Ruba’s spirit from her lifeless body, and conducts a soul migration ceremony for her to go to the light in the ‘Out of Life’. Abbas Yousif’s painting overlaps the below two sentences spoken by the Spirit Master, in painted Arabic letters:
Mitli Mitlak (Like You, Like Me), Act 1 Scene 4
Spirit Master: “The Darkness Of These Waters Shall Be Cast With A Light.
I Come To Bless The Soul Of Light.”
Abbas Yousif’s multimedia works are made from calligraphy and the Arabic alphabet. The Arabic letters are charged with explosive graphic symbols, which are like “spells” and aesthetically abstract. He applies different colors, printing techniques, collage, pastes, huge canvas, zinc etching on zinc, copper, and silkscreen in his process.
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jpeg 40 x 40
English
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Daily Images Of Chaotic Events, by Ahmed Nagy (Egypt)
Ahmed Nagy’s series, Daily Images of Chaotic Events, was created in response to poetic theatre texts written by Habibah Sheikh, a nomadic performance artist originally from Lebanon, and the curator of the Mitli Mitlak exhibition. In the text, a character named Ruba experiences the destruction of war firsthand and becomes a refugee in the process.
The series is based on pictures Nagy took with a cell phone, in the street during the Egyptian revolution. Daily Images of Chaotic Events is a cell phone capturing the Egyptian revolution. “I utilize what was happening in Egypt, and apply it as a formula to make artworks. In Egypt, what happened was fighting in the street. Through my artwork, I don’t have political say. The art itself is a great political action. When I am inspired by the streets I create something new," says Nagy.
In Act 1, Scene 2, Mitli Mitlak (Like You, Like Me), this series of photos depicts the view from the window of a young couple’s apartment during war. Much like Nagy, the couple in Mitli Mitlak are poetic young artists who apply their own experiences during the war in the hopes that their art will enable truth to shine through the cracks of every day chaotic reality:
Act 1, Scene 2, Mitli Mitlak (Like You, Like Me)
Carlos: as the disappearance of reality...when there is no ruling body...the disappearance of our objectified self because ...the nonexistent social field. Our subjectivity is all there is...We collide in time. A deep meaning can arise when society is broken by war.
Ruba: (singing) Reality is not functioning. There is no social field. Watermoon. Thoughts in silence. Ideas of collective memories, global thinking overviews. Points of view. Watermoon. In my mind..on opaque screen...horizontality explained by the sea; writing on the water. In my dream, the sky is lit, the meaning of being..what is it?! Creation and destruction hand in hand. Watermoon. The Theory of Chaos, How to become the butterfly of yourself?
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Daily Images of Chaotic Events 2, by Ahmed Nagy (Egypt)
Ahmed Nagy’s series, Daily Images of Chaotic Events, was created in response to poetic theatre texts written by Habibah Sheikh, a nomadic performance artist originally from Lebanon, and the curator of the Mitli Mitlak exhibition. In the text, a character named Ruba experiences the destruction of war firsthand and becomes a refugee in the process.
The series is based on pictures Nagy took with a cell phone, in the street during the Egyptian revolution. Daily Images of Chaotic Events is a cell phone capturing the Egyptian revolution. “I utilize what was happening in Egypt, and apply it as a formula to make artworks. In Egypt, what happened was fighting in the street. Through my artwork, I don’t have political say. The art itself is a great political action. When I am inspired by the streets I create something new," says Nagy.
In Act 1, Scene 2, Mitli Mitlak (Like You, Like Me), this series of photos depicts the view from the window of a young couple’s apartment during war. Much like Nagy, the couple in Mitli Mitlak are poetic young artists who apply their own experiences during the war in the hopes that their art will enable truth to shine through the cracks of every day chaotic reality:
Act 1, Scene 2, Mitli Mitlak (Like You, Like Me)
Carlos: as the disappearance of reality...when there is no ruling body...the disappearance of our objectified self because ...the nonexistent social field. Our subjectivity is all there is...We collide in time. A deep meaning can arise when society is broken by war.
Ruba: (singing) Reality is not functioning. There is no social field. Watermoon. Thoughts in silence. Ideas of collective memories, global thinking overviews. Points of view. Watermoon. In my mind..on opaque screen...horizontality explained by the sea; writing on the water. In my dream, the sky is lit, the meaning of being..what is it?! Creation and destruction hand in hand. Watermoon. The Theory of Chaos, How to become the butterfly of yourself?
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Daily Images of Chaotic Events 3, by Ahmed Nagy (Egypt)
Ahmed Nagy’s series, Daily Images of Chaotic Events, was created in response to poetic theatre texts written by Habibah Sheikh, a nomadic performance artist originally from Lebanon, and the curator of the Mitli Mitlak exhibition. In the text, a character named Ruba experiences the destruction of war firsthand and becomes a refugee in the process.
The series is based on pictures Nagy took with a cell phone, in the street during the Egyptian revolution. Daily Images of Chaotic Events is a cell phone capturing the Egyptian revolution. “I utilize what was happening in Egypt, and apply it as a formula to make artworks. In Egypt, what happened was fighting in the street. Through my artwork, I don’t have political say. The art itself is a great political action. When I am inspired by the streets I create something new," says Nagy.
In Act 1, Scene 2, Mitli Mitlak (Like You, Like Me), this series of photos depicts the view from the window of a young couple’s apartment during war. Much like Nagy, the couple in Mitli Mitlak are poetic young artists who apply their own experiences during the war in the hopes that their art will enable truth to shine through the cracks of every day chaotic reality:
Act 1, Scene 2, Mitli Mitlak (Like You, Like Me)
Carlos: as the disappearance of reality...when there is no ruling body...the disappearance of our objectified self because ...the nonexistent social field. Our subjectivity is all there is...We collide in time. A deep meaning can arise when society is broken by war.
Ruba: (singing) Reality is not functioning. There is no social field. Watermoon. Thoughts in silence. Ideas of collective memories, global thinking overviews. Points of view. Watermoon. In my mind..on opaque screen...horizontality explained by the sea; writing on the water. In my dream, the sky is lit, the meaning of being..what is it?! Creation and destruction hand in hand. Watermoon. The Theory of Chaos, How to become the butterfly of yourself?
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Daily Images of Chaotic Events 4, by Ahmed Nagy (Egypt)
Ahmed Nagy, Photography, Egyptian art, Habibah Sheikh, Biba Sheikh, Right to Live, Mitli Mitlak (Like You, Like Me), Like You, Like Me, Mediterranean Art, Mediterranean Fire
Ahmed Nagy’s series, Daily Images of Chaotic Events, was created in response to poetic theatre texts written by Habibah Sheikh, a nomadic performance artist originally from Lebanon, and the curator of the Mitli Mitlak exhibition. In the text, a character named Ruba experiences the destruction of war firsthand and becomes a refugee in the process.
The series is based on pictures Nagy took with a cell phone, in the street during the Egyptian revolution. Daily Images of Chaotic Events is a cell phone capturing the Egyptian revolution. “I utilize what was happening in Egypt, and apply it as a formula to make artworks. In Egypt, what happened was fighting in the street. Through my artwork, I don’t have political say. The art itself is a great political action. When I am inspired by the streets I create something new," says Nagy.
In Act 1, Scene 2, Mitli Mitlak (Like You, Like Me), this series of photos depicts the view from the window of a young couple’s apartment during war. Much like Nagy, the couple in Mitli Mitlak are poetic young artists who apply their own experiences during the war in the hopes that their art will enable truth to shine through the cracks of every day chaotic reality:
Act 1, Scene 2, Mitli Mitlak (Like You, Like Me)
Carlos: as the disappearance of reality...when there is no ruling body...the disappearance of our objectified self because ...the nonexistent social field. Our subjectivity is all there is...We collide in time. A deep meaning can arise when society is broken by war.
Ruba: (singing) Reality is not functioning. There is no social field. Watermoon. Thoughts in silence. Ideas of collective memories, global thinking overviews. Points of view. Watermoon. In my mind..on opaque screen...horizontality explained by the sea; writing on the water. In my dream, the sky is lit, the meaning of being..what is it?! Creation and destruction hand in hand. Watermoon. The Theory of Chaos, How to become the butterfly of yourself?
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Daily Images of Chaotic Events 5, by Ahmed Nagy (Egypt)
Ahmed Nagy’s series, Daily Images of Chaotic Events, was created in response to poetic theatre texts written by Habibah Sheikh, a nomadic performance artist originally from Lebanon, and the curator of the Mitli Mitlak exhibition. In the text, a character named Ruba experiences the destruction of war firsthand and becomes a refugee in the process.
The series is based on pictures Nagy took with a cell phone, in the street during the Egyptian revolution. Daily Images of Chaotic Events is a cell phone capturing the Egyptian revolution. “I utilize what was happening in Egypt, and apply it as a formula to make artworks. In Egypt, what happened was fighting in the street. Through my artwork, I don’t have political say. The art itself is a great political action. When I am inspired by the streets I create something new," says Nagy.
In Act 1, Scene 2, Mitli Mitlak (Like You, Like Me), this series of photos depicts the view from the window of a young couple’s apartment during war. Much like Nagy, the couple in Mitli Mitlak are poetic young artists who apply their own experiences during the war in the hopes that their art will enable truth to shine through the cracks of every day chaotic reality:
Act 1, Scene 2, Mitli Mitlak (Like You, Like Me)
Carlos: as the disappearance of reality...when there is no ruling body...the disappearance of our objectified self because ...the nonexistent social field. Our subjectivity is all there is...We collide in time. A deep meaning can arise when society is broken by war.
Ruba: (singing) Reality is not functioning. There is no social field. Watermoon. Thoughts in silence. Ideas of collective memories, global thinking overviews. Points of view. Watermoon. In my mind..on opaque screen...horizontality explained by the sea; writing on the water. In my dream, the sky is lit, the meaning of being..what is it?! Creation and destruction hand in hand. Watermoon. The Theory of Chaos, How to become the butterfly of yourself?
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